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RICHARD PHILPOTTFILMS 2024 -
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ARTWORKS 1973 -1992 |
FugaFilm
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Now AGAIN Music: with deep gratitude to inspirational pianists
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Feature / Series
un tour autour de la tête de Proust reminiscences from PART ONE (UK January 2026, 4k digital, 55 minutes) PART TWO (UK January 2026, 4k digital,(87 minutes) PART THREE (c 120 minutes; 2026) PART FOUR (c 120 minutes; 2026) PART FIVE (c 100 minute; 2027) We feel in one world, we think, we give names to things in another; between the two we can establish a certain correspondence, but not bridge the interval. It was quite narrow, this interval, this fault that I had had to cross. |
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TRAILER
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PART ONE - synopsis
The Narrator’s childhood in Combray - his experience of unconscious memory caused by the taste of a Madeleine soaked in lime tea - the two Ways that are walked from the house - his awareness of Swann and his daughter Gilberte among hawthrons - the moving steeples of Martinville trigger ecstatic joy - the Ways evoke profound awareness - Swann’s love for Odette as an aesthetic object - the Narrator’s first visit to Balbec - his awareness of different selves in himself and Gilberte at different times - a sense of profound reality discovered in a musty smell - the awareness that memories contain secrets of nature - Balbec society and the Narrator’s Grandmother - trees moving in a landscape during a carriage drive revive a sense of profound ecstasy - friendships with Robert de Saint-Loup and a band of girls on the beach - the awareness of a multiplicity of selves - understanding awakening only in solitude - the importance of dreaming - a first intimacy with Albertine |
PART TWO - synopsis The Narrator's family move home in Paris to the Hotel Guerrmantes - exploration of the relationship between great acting and great writing - the mental separation of the worlds of things and their names - the separation of the paths of waking and sleep, of reality and what is wished for - a visit to Saint-Loup and a telephone call to his Grandmother makes clear the gulf between self and other, representation and reality, and an intimation of death - Saint-Loup’s obsessive unrealistic love for an actress - the unreality of the ego and the mystery of death - the society of the Guermantes and the Faubourg Saint Germaine - the strange behaviour of Baron de Charlus - the Grandmother’s stroke - the visits of the author Bergotte and intimations of death - the consciousness and unconsciousness of sleep - the death of the Narrator’s grandmother - reminiscences of Balbec and Albertine and the artificiality of memory as fantasy - the tolerance of Charlus’ insulting behaviour - Charlus’s extreme treatment of the Narrator - a failed assignation in the Bois - the relationship between the profound experiences of the church steeples and the moving trees - a reception at the Guermantres - the paintings of Elsier reveal new realities - the falseness of Faubourg society - the self-delusions of the Guermantes - the mistaken relationship between nature and representation in art - an hysterical interview with M de Charlus - a reception at the Princess de Guermantes - the anti-semitic divisions of society - the Dreyfus Affair - the Guermantes refusal to recognise death in favour of a costume ball. |
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(6 films) |